Showing posts with label Versace. Show all posts
Showing posts with label Versace. Show all posts

Tuesday, 21 August 2012

Forgotten supermodel: Valeria Mazza

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Although she is still well-known in America, on this side of the Atlantic many seem to have forgotten about Valeria Mazza, the Argentinian model who walked down the catwalk together with Linda, Naomi, Claudia and Cindy, was one of the original Versace girls, graced covers of fashion magazines, starred in campaigns of the biggest fashion houses and was Valentino’s muse.

The blue-eyed girl was born in 1972, in Rosario, Santa Fe, Argentina. When she was 14, a friend of the family helped Valeria get her first modelling job. The very first fashion show took place in Paraná, her home city.

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After finishing high school Valeria moved to Buenos Aires to study Occupational Therapy. Since she was a teen, the girl made it her mission to help people with disabilities, so her choice of study course didn’t surprise anyone.

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While studying Valeria and working as a volunteer, she continued modelling. Her first job was for Caro Cuore, a Buenos Aires-based company.

In 1992 Valeria moved to the States, but spent a lot of time travelling to Milan and Paris where she worked for Armani, Valentino, Dolce&Gabbana, Dior, Versace, Ralph Lauren and Ferre.

In 1995 Valeria was discovered by Paul Marciano and became a new face of Guess.

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More campaigns followed… Versace, Donna Karan, Caractere, Escada, Halston and Chanel – a supermodel-worthy list, indeed.

No matter how busy she was, Valeria never stopped helping Special Olympics organisation and in 1993 was appointed its international Ambassador.

In 1996 the Sunday Times and El Mundo papers conducted a survey among their readers in order to select the one hundred 20th century most important women. There were only two models in the final list: Valeria Mazza and Claudia Schiffer.

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In the same year she appeared on a cover of Sports Illustrated alongside Tyra Banks and continued building her impressive modelling portfolio working for Elle, Vogue, Cosmopolitan and Glamour as well as many Latin American glossies.

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In 1998 Valeria Mazza met her future husband, Alejandro Gravier. They married on 9 May and welcomed their first new born, Balthazar, in 1999. Since then Valeria gave birth to three more beutiful children, two boys, Tiziano and Benicio and a girl, Taina.

Soon after the wedding Valeria and her husband as she were honoured with an invitation to the Vatican. The model attended a ceremony on the occasion of the first year of Mother Teresa of Calcutta’s death. Valeria and her husband met John Paul II during this ceremony. She then became the first model that the Pope received officially. In 2006 Valeria and her family travelled back to Vatican for the second visit. On this occasion, the Pope Benedict XVI received her and her family in a private audience.

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Her family life didn’t stop Valeria from modelling. She appeared in more than 350 magazine covers worldwide, starred in more than 30 TV ads of Lux, San Pellegrino, Villavicencio, Pepsi and Falabella, among others. She also made a few TV appearances including MTV Latin America, Domenica In, San Remo’s Festival, Scommettiamo Che? and Come Sorelle in Italy and Esta noche invito yo, her own show in Latin America.

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In addition to modelling Valeria developed her own make up line, VM Beauty, which includes perfumes, lotions and make up and became a columnist for Viva magazine.

In 2007 she flew to Milan to take part in a fashion show against anorexia organised by National Chamber of Fashion. After the show 30 models including Valeria Mazza received the “Giusto Equilibrio” (Exact Balance) award, because she is considered a reference of beauty and health in the fashion world.

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Photo source: ?, Versace Atelier Spring/Summer 1996 campaign, Giorgio Grati 1996 campaign, Guess 1996 campaign, Halston campaign, Versace 1996 campaign, Escada Sport campaign, Cosmopolitan UK July 2000, Elle Mexico June 2010

Reference: valeriamazza.com.ar

Saturday, 26 May 2012

Weekend sign off

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We are having such a beautiful summer weather right now! As a result I was even more determined to get some new sunglasses and a few basic summery tops as I happened to have none. Ended up in H&M with a bunch of striped tees, vests and a long sleeved top and also got two pairs of sunglasses.

Mr didn’t believe me when I said I wanted to buy my eyewear at H&M. I asked him to stop  being a snob and just bear with me for a few minutes. Then found some lovely shades that looked great on me and for less than £10!

I admit, I used to buy designer sunglasses, but then figured out that with a change of taste and preference as well as fashions I find myself wanting several pairs, so I could swap them the same way I’d do any other accessories. Expensive shades just didn’t agree with me. I’d rather have a few sweet darlings from H&M or TopShop and spend money on beautiful shoes that I’ll wear for several seasons. And that’s what I told my husband while queuing with my new treasures.

Talking of high-street… Last night I’ve created a replica outfit of the Versace Spring 2012 RTW – you will find details on my Secret Page. The high-street version looks so good, I feel quite proud of myself (and British high-street).

Plans for weekend include a trip or two to some gorgeous National Trust gardens and a bit of photography and coffee (well, green tea in my case, I sort of stopped drinking coffee…)

Wishing you a wonderful weekend!

Always yours,

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Photo source: Harper’s Bazaar January 2003

Friday, 13 January 2012

I am speechless

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Yes, I really am because I can’t imagine how it can be possible to create a campaign that makes you think of another campaign as soon as the first photo appears? Well, of course, those unfamiliar with the original one, shot by Avedon for Versace in 1994, would find the Roberto Cavalli one quite palatable, but… Really??? Frankly, I find it sad.

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Photo source: Roberto Cavalli Spring 2012, Versace Fall 1994

Sunday, 2 October 2011

Versace A-Z

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A: Allen, Woody. Shortly before Versace’s death, it was reported that he had agreed to appear in a forthcoming movie, written and directed by Woody Allen. Filming was due to start in the autumn of 1997.

B: Biba. Versace first visited Britain in the late 1960s. The young designer made the trip from Italy to see Biba. He was so impressed by Barbara Hulaniki’s styles and the swinging London vibe that he became a regular visitor to the city. “London is either very boring or very mad,” he explained in 1992.

C: Capote. Some questioned Versace’s decision to establish a home on Miami’s outré South Beach. He brushed aside concerns for his safety. “Here, in Miami I don’t want another monastery to live in. I want a place to read Truman Capote,” he said.

D: Drop Dead Glamour. “Drop dead glamour” was an expression synonymous with Gianni Versace’s clothes. “To-die-for frocks” was another,” Judy Rumbold wrote in the British Guardian. “That throwaway remarks as pithy as these might ever be credited with even a shred of literal meaning will be a sobering thought for the fashion industry mourning the loss of one of its favourite characters.”

E: Evangelista, Linda. Despire Linda Evangelista being one of Versace’s favourite models, her taste for practical jokes could backfire on the family. On one occasion Evangelista sneaked Gianni’s niece Allerga, then nine, onto the catwalk. Afterwards, as Donatella tore a terrifying strip off her daughter, according to onlookers Evangelista “was laughing fit to bust”.

F: Football. In 1994 the ready-to-wear collections in Milan fell during the World Cup football tournament. While other designers turned at the emptiness of their post-show soirees, invitees having adjourned to the  nearest TV, Versace employed a clever ruse to ensure his glamorous party was full. He had a huge video screen erected on one side of the dance floor at his party so that revellers could catch the latest scores.

G: Graduation. As a teenagers, Andrew Cunanan attended the top-flight Bishop’s School in La Jolla, a suburb of San Diego. He graduated in 1987. The year book records his election by his classmates as the student “most likely not to be forgotten”.

H: Home from Home. Despite their many fabulous palazzos around the world, there are times when the Versace family find themselves in unfamiliar surroundings. One such occasion occurred in Paris in July 1997, shortly before Versace’s death. Donatella was overseeing the creation of a new advertising campaign by Mario Testino. Two studios were hired. Before shooting could begin in the first studio, a truckload of Versace furniture, rugs and objects d’art had to be carried up the stairs and arranged in the second so as to create a luxurious and relaxing home-from-home for Donatella.

I: Ippoliti. In his book Signatures, Versace tried to trace the origins of his approach to design. “Perhaps it was in my mother’s dressmaker’s shop when she tried a black dress on Mrs Ippoliti. A black dress is my earliest memory.” he wrote. “In reality, that fitting has never ended.”

J: Jacobs: Versace always kept his eye on young designers, not simply as potential rivals, but also as possible protégés. When Marc Jacobs stopped designing for the Perry Ellis label in New York and launched his own line, Versace made a point of attending his first show. It was a rare honour and a major boost for a fashion fledgling.

K: Kitsch. Versace’s love of kitsch was central to his design philosphy. It’s what separates him from his great rival, Armani. Only a man with a sophisticated appreciation of good bad taste could have created outfits that outrageously mixed mock leopard, zobra and crocodile all at once, or fashioned a beaded catsuit from multiple Andy Warhol-esque Marilyn Monroe faces.

L: Lloyds of London. Versace’s life was insured for a reported £13 million under a “key man” policy at Lloyds of London. According to Charles Boyd, underwriter with the Kiln agency (the company heading the underwriters taking on the risk), the policy had been in place for “several years and would probably cover murder”.

M: Migliavacca. Seventy-seven year-old Monsignor Luciano Migliavacca conducted the memorial mass for Gianni Versace in the Duomo in Milan. When informed by the Versace family that Sting and Elton John were to sign the twenty-third Psalm during the service, the Monsignor refused to allow it, unless they auditioned for him first. “Certainly, I knew their names, but it is necessary to be sure their voices were worthy of a solemn celebration of the mass.” Migliavacca explained. Elton and Sting gave a fifteen-minute private and unaccompanied performance of The Lord is My Shepherd for the Monsignor. “They weren’t perfect, but I’d have them back.” Migliavacca said after the service.

N: Newscafé. Versace was a creature of habit. When in Miami, he liked to go out every morning and walk the few blocks to the Newscafé, and buy a magazine and coffee. Usually, he approached from the same direction, but Newscafé manageress Stephanie Vanover told Time magazine that one the day of his murder Versace “walked past the entrance, circled back round, then went in. It’s almost as if he knew he was being followed.”

O: Orange. Versace’s home town of Reggio de Calabria has few links with the world of international fashion. But the plains to the north of the city are the only place in the world where Bergamot oranges are grown. Still squeezed by hand, the distilled essence is an essential ingredient in luxury perfumes, including those produced for Versace spA.

P: Palazzi. Doreta Palazzi was one of Versace’s first models. She later became a friend and neighbour of Versace in Miami. Palazzi told British newspaper the Guardian that the last time she saw the designer, he did not look well. According to Palazzi, Versace told her, “I don’t want to die, I want to live.”

Q: Queens. In the book Rock & Royalty produced by the Versace organization, Elton John writes: “Some people are born royal. Others become Queens all on their own.”

R: Roses. Along with freesias, roses were Versace’s favourite flowers. Milan’s Catholic Cathedral was dressed with red and white roses, set with palm fronds and trailing ivy, for the memorial mass. On the day of the service, a pair of vases with more roses sat next to the casket bearing Versace’s ashes in his Milan home.

S: Springsteen. One of the earliest pop stars to be dressed by Versace, Bruce Springsteen became a close friend. When, in 1985, Springsteen married Julianne Phillips, Versace provided a suitably romantic setting for the honeymoon. He loaned them the Villa Fontanelle on Lake Como. Sadly, Mr and Mrs Springsteen are no longer together.

T: Tuna. Miami sandwich shop worker, G. Kenneth Brown, told Time magazine that four days before Versace’s murder Andrew Cunanan came into his shop for a tuna sub sandwich. Recognizing him, Brown went into the kitchen and dialled 911. Unfortunately, another member of staff took Cunanan’s $4.12, and, before police could reach the shop, Cunanan disappeared. When Brown learned of the designer’s murder, he said “I wanted to throw up. I was thinking, if only they had caught him, Versace might still be alive.”

U: Underpants. The Versace empire was built upon riotously luxurious clothing. However, in his book, Men Without Ties, Gianni wrote “A tuxedo alone cannot make you elegant, while even a pair of underpants can be worn with style.”

V: Vreeland. Gianni Versace once recounted the tale of a visit that he and Donatella made to the all-pink home of legendary Vogue editor Diana Vreeland. On meeting Donatella (who was then only twenty), Vreeland exclaimed, “We have the same initials, perhaps, some day you too will work in fashion.” Donatella subsequently sent Ms Vreeland some leather jeans and shirts that Gianni had designed. Vreeland mailed back snaps of herself wearing them. Gianni commented “One must never believe that an older woman cannot wear certain things.”

W: Wintour. Anna Wintour, sunglassed editor of Vogue, is said to have suffered a fashion crisis on her way to attend Versace’s memorial service in Milan. Her luggage failed to arrive at Linate airport. Only a hurried phone call to the Versace boutique averted disaster. A suitable sombre outfit was dispatched to Ms Wintour’s hotel.

X: InXs. Before Michael Hutchence so cruelly dumped Helena Christensen for the more mature charms of Mrs Bob Geldof (aka Paula Yates), the InXs frontman was a regular fixture at Versace fashion shows. So devoted was he to his Supermodel girlfriend that he would be happy to loiter backstage for hours beforehand. Versace returned the favour by giving him a front row seat and playing his current hit during the show, the latter making Michael squirm ever so slightly.

Y: Yoga. Madonna was a neighbour of Versace’s in Miami and a frequent visitor to his home. The last time she saw him, the pair discussed alternative therapies, Madonna recommending her yoga teacher. “I could totally imagine this extravagant Calabrian with a twinkle in his eye in the Lotus position”, she wrote in Time magazine.

Z: Zip. Diana, Princess of Wales, never looked more lovely than when she was wearing Versace. His genius was in making the most of her voluptuous curves, perhaps, most famously when she sat next to Henry Kissinger at a dinner in New York and much comment was made on the appearance of her cleavage. This Gianni accomplished with an ingenious double-zip arrangement incorporated into Diana’s evening gown. Inside many Atelier Versace dresses, there is a lining which is fitted tightly to the body. This lifts and holds – Wonderbra-style – allowing the dress proper to merely float on top.

Source: Gianni Versace: Fashion's Last Emperor by Lowri Turner

Saturday, 1 October 2011

Donatella

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“Donatella’s strength is that she makes everything she touches something modern.”

Gianni Versace

Donatella was crying, “I miss my brother so much. I’ve never felt so overwhelmed in all my life.” Her very first show that had to be completed just 3 months after Gianni’s death was over. It was a mish-mash of fabrics, textures and ideas, but at least she did it. Her brother was gone and she was the one who had to move the house forward and become its creative force.

Gianni Versace’s sister was born on 2 May 1955, a much-awaited and cherished replacement for her dead sister, Tinuccia. Despite an old Calabrian tradition of giving family names to the newborns, the little girl was called Donatella, which meant “gift” (from Italian “dono”).

For Gianni, Donatella wasn’t just a refuge and his little sister. She truly became his confidante and companion. Just like her older brother, she soon became interested in fashion.

After finishing her studies, she’d rush downstairs to spend as much time in her mother’s boutique as possible, playing with make-up and trying on new clothes. Every time Gianni went shopping for the boutique, he’d bring cases full of fashionable clothes that he thought would suit his sister. By the time she was twenty, Donatella had a dream wardrobe filled with designer pieces.

After graduating Donatella decided to study languages in the University of Florence, but as soon as she moved there in 1973, Gianni began pestering her to visit him in Milan, so that he could show her his new designs. Weekends spent with her brother became longer and longer until one day, in 1978,when she moved in with Gianni permanently. The move happened following their mother’s death, which brought the siblings even closer.

While Gianni continued developing his personal style, Donatella become more and more indispensable to him. Not only Gianni was inspired by his sisters’ style and her ability to mix glamorous and edgy clothes, but he used her as a ticker to the world of women, so he could better understand what they want to achieve through fashion and design the clothes to suit.

She always knew what and who was in and out and was the first one to recognise an importance of celebrity-fashion connection. Becoming a celebrity herself, she’d appear at the hottest parties in Milan, New York and LA making contacts and charming celebrities by sending them the latest designs and invitations to the shows and parties at their family house. The Versace became celebrity central with VIPs at the front row of Versace fashion shows and Versace campaigns. Donatella made a start of a new culture, but this was just the beginning. Her next move was inspired by celebrities of a different kind. The models. In the late 1980s Donatella decided to book the most beautiful editorial models including Christy, Linda and Naomi for their fashion show. An era of a supermodel has began.

She continued working with Gianni on every collection often changing his final designs to make them more sensual and modern. Versace also let her set up the children’s line, Young Versace and work on her own diffusion line, Versus that she designed and launched in 1989. She also supervised most of the Versace campaigns working as a stylist and coming up with the most incredible ideas and locations.

Professionally, Donatella’s contribution was enormous, however, her creative injections would always begin with an idea. And the idea would always belong to her brother. Without the idea, nothing else were possible.

For a long time following Gianni’s death Donatella felt like an imposter, struggling to remember everything she learnt from her brother, discover her strength and develop essential skills. She had to be fast because fashion critics didn’t want to wait for ages or take into account all the problems and the tragedy she had to deal with.

She survived and emerged as a designer who is able to keep the Versace magic going. And although Gianni might criticise a thing or two, he would definitely be very proud of his little sister.

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Photo sources: Versace (Fashion Memoir) and House of Versace: The Untold Story of Genius, Murder, and Survival

References: as above, Love #3, 100 Contemporary Fashion Designers (25) and Gianni Versace: Fashion's Last Emperor

Friday, 30 September 2011

Atelier Versace Autumn 2011

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The time stands still in awe of magnificent couture. It’s just breathtaking.

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Photo source: Versace Atelier Fall 2011 Lookbook

Thursday, 29 September 2011

Gianni Versace

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“Excess is entertaining, eccentricity stimulating. Only one rule applies, spontaneity.”

Gianni Versace, Signatures

On 2 December 1946 Nino and Francesca Versace welcomed their second child. They named him Giovanni Maria, Giovanni – for his maternal grandfather and Maria for Nino’s sister. Gianni as they called him already had a brother, Santo, who was born two years earlier and Donatella – nine years after.

The family lived in Reggio di Calabria, the largest city of the Calabria region, the boot-shaped peninsula in the south of the country, surrounded by mountains that separate it from the rest of Italy.

Not many people lived there, many emigrated back in 1800s, two-thirds were killed during an earth-quake in 1908 and some left the region in the early 1950s following the first signs of a post-war boom. Those who stayed were touch, hard-working and old-fashioned folks with incredibly strong family ties and values.

Nino and Franca Versace were a hard-working bunch, so by the mid 1950s they could afford some little luxuries including a spacious apartment, a car and a television, one of the very first in the city. While Nino Versace was selling gas canisters, refrigerators and washing machines, Franca became known as Reggio’s best dressmaker who created beautiful custom made clothes for the city’s most elegant ladies. Needless to say that her own children were among the best dressed. She opened a small boutique, bought patterns from the emerging couture houses in Rome and hired a few women who could help her make the dresses.

Gianni never went to fashion school nor was particularly bothered when it came to getting degrees or passing exams. His mothers workshop provided him with inspirations and tough him the skills he was after. The rest didn’t really matter. At first, little Gianni was allowed to play with offcuts of fabric, which most visitors found adorable. At the age of nine, however, he designed his very first dress, a one-shouldered evening gown made from velvet. A few years later his mother trusted his taste so much that he was allowed to travel to Messina and choose new fabrics. He spent hours and hours in the atelier, flicking through numerous fashion magazines and sketching. His dream world was far away from Reggio. Paris was calling Gianni’s name. He stayed in Reggio until the age of twenty-five working for his mother in a boutique she opened next to her atelier, polishing his tailoring skills, learning how to sell, attending fashion shows and discovering exciting brands including Laura Biagiotti, Missoni, Krizia and Chloe. While in Paris, he met young Lagerfeld and the two became life-long friends.

The shop was flourishing, but for Gianni it wasn’t enough. He wanted more. His dream was to design his own clothes. He started bringing his sketches to fashion shows he attended and one day got attention from a knitting company called Florentine Flowers. He was offered a job. On 5 February 1972 he finally boarded a plane and set off to Tuscany.

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Gianni Versace was hired by Salvatore Chiodini and Ezio Nicosia, the agent and owner of Florentine Flowers who were then looking for fresh ideas. Versace successfully designed an autumn/winter collection for the brand and made a new move. His next stop was Parisini of Santa Margherita followed by Callaghan in Novara, Alma in Bareggio and, in 1973, Genny and Complice. He worked very hard, leaving very little time for anything else, growing tired of being a hired designer. It paid off.

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On March 28 1978 his own very first Gianni Versace Donna collection was shown at the Palazzo della Permanente, a contemporary art museum in Milan. The collection had a floral, romantic feel and also included leather trench coats softened by wool fabrics of the skirts decorated with delicate silk and chiffon petals. Although the collection wasn’t a huge hit among the press to begin with, both Italian and French Vogue picked the trench coats to use in their editorials a few months later.

The next few years were spent on creating the signature Versace style. Gianni tried mixing the fabrics, designed collections in Renaissance style and then something very modern, almost Japanese origami-like. He wasn’t satisfied.

All the time he wanted perfection, something modern and fresh but also something that would make history. He felt that he wasn’t there to create complicated silhouettes or spend too much time playing with hemlines. He wanted new patterns and new fabrics, too.

In 1982 he designed a fabric that not only won him a series of L’Occhio d’Oro awards for Best Womenswear Designer, but also put him firmly on the fashion map.

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The Oroton chain mail was a remarkable invention. the fabric that made the body look as if it was covered in liquid gold was a fine light mesh that would mould to every curve.

He moved to lace, leather and silk – one of his favourite fabrics and was the first designer who used denim in a couture collection. His own style was emerging – a bold, extravagant and lavish glamour that’s so easily recognisable.

Versace clothes were also known for their ability to compliment a real womanly body and make women look and feel their best celebrating their curves in a most sensuous manner.

Every collection was presented by supermodels – a phenomenon also invented by Gianni Versace. The Trinity, Linda, Naomi and Christy, followed by Cindy, Helena, Tatiana, Carla, Claudia and Nadège would appear on a catwalk as epitome of gorgeousness. Most of them were editorial models who didn’t do catwalk, but Gianni and Donatella merged the two together creating a new concept.

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He never made his models adopt a new look as seasons change. Instead Versace polished their own, adding charisma and glamour to the natural beauty. He paid them enormous amount of money (as much as $50000 for a show compared to £1000 an average catwalk model would earn during entire Milan fashion week) and treated each girl like a queen who stayed in the best hotels and had exclusive access to parties, dinners, spas and private jets. He remembered their birthdays and always sent them surprise gifts and kind notes. He turned fashion models into celebrities and they made his clothes even more desirable.

Versace fashion was craved by those who wanted or needed to be noticed. His clients (some of whom also became his friends) included Elton John, Princess Diana, Sylvester Stallone, Madonna, Sting and Trudie Styler, Demi Moore and Hugh Grant. Liz Hurley, Grant’s girlfriend became famous overnight after she wore infamous pin dress to a premier of Four Weddings and a Funeral. She later became one of the Versace family friends and was a frequent visitor in Casa Casuarina, Gianni’s home in Miami.

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Together with Santo and Donatella, Gianni built his fashion empire that now included ready-to-wear Versace collections for men, women and children, several diffusion lines – Versus, Istante, Versace Jeans Couture, Versace Sport, Versatile and Versace Classic V2, plus jewellery (real and costume), perfumes, accessories, cosmetics and interiors allowing people not only wear Versace, but furnish an entire home with Versace items, from china, glass and cushions, bath lined and fabrics to furniture and lighting. Although he had support of his siblings and often turned to Donatella for advice, Gianni Versace was the one who designed every line and fabric pattern, checked every sample, followed every order and decided on which editorial images could be used for advertising campaigns. He also worked with La Scala designing costumes for Josephlegende, Don Pasquale, Doktor Faust and several ballet performances including Dionysos, Leda and the Swan, Malraux ou la Métamorphose des Dieux and Chaka Zulu.

The profits were invested in properties and art, particularly, Picasso, which at the end sparkled a big battled between two brothers and caused Gianni change his will leaving 50 per cent stake in the company to beloved niece Allegra, Donatella’s daughter, 30 – to Santo and 20 – to Donatella. There were talks that he later regretted his decision and was going to change the will, but fate had a different plan.

Gianni Versace never had a body guard. “Why should I?” he said once. ”I’ve never hurt anyone, and I don’t see why anyone would want to harm me.” Things were no different on Tuesday, 15 July 1997 when Gianni left his Miami home and walked to the nearby cafe to get a coffee and have a browse through international glossy publications. He returned a few minutes later. As he slipped the key into the lock on the iron gates, he was approached by Andrew Phillip Cunanan. The twenty-seven year-old college drop-out and one-time gigolo from San Diego was driven by his overwhelming jealousy and an insatiable appetite for fame and fortune and at the time was one of the FBI most wanted serial killers. The man raised his 40 calibre Taurus handgun and pulled the trigger.

At 9.20 a.m. Gianni Versace was pronounced dead. The memorial service took place at Milan’s Catholic cathedral, the Duomo at 6 p.m. on 22 July 1997.

“He made the dream of his youth out of his life.”

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Photo sources: versace.com, Versace Atelier Fall 1994, Versace Fall 1994, sacred-destinations.com

The post is based on the following sources: official Versace website, Gianni Versace: Fashion's Last Emperor by Lowri Turner, Versace (Fashion Memoir) by Richard Martin, House of Versace: The Untold Story of Genius, Murder, and Survival by Deborah Ball and Versace: Signatures, the quote by Karl Lagerfeld via vogue.com

Wednesday, 28 September 2011

Stylish quote

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“Style makes sense only if it is your own.”

Gianni Versace

Photo source: Versace Campaign Spring 1994 Vogue Italia March 1994

Tuesday, 27 September 2011

Versace Spring 2012

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I felt as if my heart was about to jump out of my chest. The rush of emotions going through my brain was like an electric shock. And then I just watched. One look after the next, the models gracefully glided on a cloud of light balancing on gorgeous sky-high platforms, their hair bouncing as they walked. The hair, the make-up, the shapes, shoes and soft colours were very Donatella Versace, but some details, patterns, studs and starfish embellishments made me think of Gianni. It felt, in a warm fuzzy feeling of pure love, as if the brother and sister were back together working next to each other, as if Donatella dreamed this collection and used her memories from 1989-1992 when Gianni Versace was still there - the shells and stars from Spring 1992 inspired by Byzantine mosaics, the beading and studs from 1991 and delicate colours and pleating from the Atelier Summer 1989 collection. In her true spirit she brought them into the 21st century and made this collection her own without compromising on that unique, so-very-Versace glamour, keeping beautiful memories alive and sharing them with a new generation (plus using some of these ideas while creating pieces for H&M&Versace November extravaganza, just in case you’re wondering what’s in store).

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Photo source: Versace Haute Couture Vogue Italia 1991, Versace Fall 1992, Versace Spring 1992, Atelier Versace Fall 1992, Versace Ready-to-wear Spring 2012 collection via elle.com